Following a predictable trend, more than half of the shows on this list are based on pre-existing intellectual property, or IP: novels old and new, like Monsieur Spade (The Maltese Falcon by Samuel Dashiell Hammett) and Expats (The Expatriates by Janice Y. K. Lee); nonfiction books, like Masters of the Air (Masters of the Air by Donald L. Miller) and Franklin (A Great Improvisation by Stacy Schiff); movies, like Mr. & Mrs.
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A pediatrician with a direct, matter-of-fact manner, Ruth and her lanky husband Mike had abandoned Spokane, Wash., six months before and settled in the exclusive Cincinnati suburb of Beckett Ridge. A pilot at Airborne, Mike had been commuting by plane to Wilmington for his seven-day work stints, but a terrifying incident had taken place at the Spokane military hospital where Ruth was working: a gunman rampaged through the place, killing five and wounding 23.
“America’s Family Magazine” was out to raise a bigger family of readers. Last week, as a recruiting poster, Look ran a double helping of cheesecake on its cover: a hairy-chested youth and a golden-haired girl, lolling in bathing suits more fiction than fact. The whole magazine also had a new look. A new art director, Merle Armitage, had restyled the covers (with a white background), cleaned up the cramped typography, and given the magazine a fresh, well-ventilated air.
On Thursday night, when 10 Democratic presidential primary candidates grace a Houston stage to debate the future of their party, they’ll all be hoping to differentiate themselves from their competitors. After all, while they all want to represent the same political party, their views fall at different points on the political spectrum. Some candidates, like former Vice President Joe Biden, represent the more moderate wing of the party. Others, like Vermont Sen.
TIME
April 25, 1938 12:00 AM GMT-4
Two famed plays were revived in Manhattan on successive nights last week, soon flickered out. Shakespeare’s The Merry Wives of Windsor (produced by Robert Henderson & Estelle Winwood) lasted four performances, Ibsen’s The Wild Duck (produced by Henry Forbes) lasted three. With the shining exception of the Mercury Theatre’s Julius Caesar (TIME, Nov. 22), Shakespeare has had hard sledding on Broadway this season. As You Like It, Antony and Cleopatra, The Merry Wives of Windsor were flops, Coriolanus a middling success in its briefly scheduled Federal Theatre run.